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Showing posts sorted by relevance for query isaac. Sort by date Show all posts

Tuesday, July 26, 2016

Episode 22 - 7/26/66

Burke Devlin shows up at the Evans home looking for Sam. Maggie asks if his visit has to do with Roger Collins' accident. He tells her it was no accident—someone tampered with the brakes on his car. Maggie says her dad has been upset since... and trails off.


Sam shows up at the diner and runs into Roger. Roger asks him to stay away. Sam asks if Devlin had anything to do with the accident. He says the two of them are tied together, and he needs to know what happened. Roger tells Sam that he's going to see that Burke is back behind bars. Roger says only the two of them really know what happened 10 years ago.


Burke tells Maggie that he and Sam used to be good friends. He says he wrote to Sam from prison, but Sam never answered. He also says he can't imagine Sam doing anything that would make Burke hate him. Sam begins to get stern with Maggie about sharing personal info about him with Burke. Burke then offers Sam $1000 to paint a portrait of him. He wants one just like the ones up at the Collins house.


Carolyn sees her uncle for the first time since the accident. He takes off the sling and gives it to his 'kitten'. She asks if he's going to have Burke Devlin arrested. He says not only arrested, but indicted and thrown in jail. Carolyn feels responsible if Burke tampered with the car. Roger says it doesn't matter whether he's guilty or not. Carolyn gets upset, and then Roger backpedals and says he's only after justice.


Burke sits for Sam so he can complete his initial sketches. Sam asks how he's going to have time to sit for a portrait if he's leaving so soon, and Burke explains there has been a change of plans.


Our thoughts

John: WHAT HAPPENED 10 YEARS AGO! I'll bet its something that would make Burke hate Sam...

Christine: Sam is sure acting that way, isn't he? He really went off on Maggie when he should have been trying to play it cool in front of Burke. I wonder what happened to Maggie's mom.

John: It's funny how when Burke asks if he can get a portrait done, the music stops cold.

Christine: Yes, that was odd the way it cut out. You know what else is strange? The portrait of Isaac Collins has been moved. It used to hang to the left of the window in the drawing room (at least since Episode 3) and now it is hanging over the phone. I want to know why.

John: Is it just me, or does Roger get a better kiss from Carolyn than Joe has thus far? Amazing that Burke has yet to experience that first hand.

Christine: Ew. Here are some screen grabs from today's episode to wash that image of Roger and Carolyn from your mind. Back to the mysterious case of the wandering portrait.

Isaac Collins, who Roger is said to resemble.
Isaac's new location today.
Isaac's location in Episode 17.
Burke admires the portrait of Maggie's mother.
Bestowing the "Badge of Honor."
It's just an innocent peck on the cheek from Uncle Roger


Read our 60th Anniversary commentary to see what new observations we made: https://dsb4idie.blogspot.com/2026/07/shadows-on-wall-episode-22.html

Monday, June 29, 2026

Shadows on the Wall: Episode 3

Before continuing, you may enjoy revisiting our original 50th anniversary summary and commentary: https://dsb4idie.blogspot.com/2016/06/episode-3-62966.html


Then & Now

John: If someone came pounding on my door like Roger did, I wouldn't open it, either! Of course he denies such a thing is part of his repertoire when he talks to Maggie.

The biggest surprise from this viewing was the suggestion that Vicki has a friend back home.

And I'm sorry, it's still super creepy that Carolyn considers Roger to be 'a real doll.' 

Another thing that surprised me in this viewing is just how young Joe seems to be. He kinda reminds me of good ol' Archie from Riverdale. 

Bill Malloy obviously knows what's up with Burke. Funny he would even think Burke might just let it rest. 

Christine: One thing that stood out to me on this viewing was just how often ghosts are mentioned. Carolyn warns Victoria that she'll have to try to get used to doors opening by themselves, while Burke tells Bill Malloy that as a kid he used to go up to Collinwood looking for ghosts because people always believed the house was haunted. No one could have imagined that these passing references would eventually open the door to vampires, witches, werewolves, Leviathans, parallel worlds, and just about every other supernatural phenomenon imaginable. 



Shadows on the Wall

John: This episode, we're introduced to Isaac Collins, who founded the town in the 17th century, and put the family into the 'fish business.' I'll be interested to see who's the first historical figure we're introduced to that we actually meet during a flashback.

Christine: It's interesting that Isaac Collins' portrait became such a focal point so early in the series. If you'd like to learn more about it, you'll find a detailed history in the Collinwood Portraits section of the Collinwood Collection. Unless I'm forgetting someone, I don't believe we ever actually met Isaac during the series' many journeys into the past. 

One detail I had never noticed before was the perspective from inside the Blue Whale's phone booth. It's an angle of the set I don't remember seeing before. I'll be interested to see whether the booth itself is ever visible in wider shots of the Blue Whale's interior. 


Ten years ago I gave a shout out to announcer Bob Lloyd, whose slate announcements became a familiar part of our early Dark Shadows viewing. As part of the Collinwood Collection, I've begun assembling a new Slates archive documenting the surviving slate announcements and the unique moments they capture before each episode begins. 



What did you notice during this viewing that you had never noticed before?











Monday, August 15, 2016

Episode 36 - 8/15/66

Vicki tells Elizabeth that she has no choice but to leave Collinwood. She says it's primarily because of David. Elizabeth says she's afraid, but for David. She says she doesn't think of Vicki as a stranger anymore. She says she needs people to stand up to David and face his hatred. Vicki asks why Liz wants her to stay,  but she can't answer.


Sam calls for Roger, but hangs up without leaving a message. Roger shows up at the restaurant, and tells Sam never to call him at home, and not to paint Burke Devlin's portrait. Roger says he doesn't trust Sam spending time with Devlin.


Liz explains that with Vicki to help with David, Carolyn can finally leave the house. She pleads for Vicki to stay, and she agrees. David comes forward and says he doesn't want Vicki to stay. Vicki decides to go into town to see a movie while Elizabeth takes David aside for a talk. Liz says she doesn't hate David, but she is very angry with him. Roger arrives and calls him a would be killer.


Sam sketches on a napkin in the diner when Vicki arrives. She was too late to catch the beginning of the movie. Instead she gets to hear Sam ramble on about death.


Roger tells Liz she can do what she wishes with his son. He says while she worries about David, the Collins dynasty might vanish from the face of the earth. Roger storms off, Liz picks up the phone and makes a call to a Ned Calder in Portland.



Our thoughts

John: David shows no signs of easing up, but Liz still manages to convince Vicki to stay.

Christine: Elizabeth tells her if she leaves Collinwood, it will be a house of torment and fear. How could she leave knowing that?

John: Louis Edmonds' tirade is quite the spectacle in this episode. He's certainly more amped up than he was when he first heard Burke Devlin arrived in town.

Christine: And this was before he started tippling. It seems the actors have been directed to take it up a notch. Or it could be all that coffee they drink throughout the day. Why is Roger screaming about the Collins dynasty vanishing? Is he suggesting David will ax murder them all in their beds?

John: Sam sure seems to ramble. I wonder if we'll have a better sense in time if that's because he's supposed to be playing drunk, or...

Christine: As a Collinsport bohemian artist, he is expected to spout rambling nonsensical drivel. He did express one coherent thought about Burke to Roger when he said, "what I did to that boy ten years ago is the shame of my life." What could it possibly be? When will we find out?

John: Is it me, or had Maggie abandoned the diner? Several folks have come and gone in the past few episodes, and she's nowhere to be found. Seems like an awfully long break...

Christine: It does appear to be a self serve diner quite often. Can they not afford to hire the waitress who never has any lines?

Still no sign of Isaac Collins on the wall by the globe lamp. Maybe they loan the portrait out to museums.

In case you were thinking this might be Isaac Collins hanging in the foyer behind Liz, you'll note two white cuffs visible in this portrait, while there is only one in Isaac's portrait. This is also not the portrait of Barnabas Collins.

For all the other times Liz has caught David lurking about it's odd she doesn't catch him eavesdropping this time.

Bandage Watch Day 12. It looks like it's about to fall off. I don't think he's ever changed the bandage.

Interesting camerawork.

What in the world is Sam drawing?

Liz: "The world isn't a very happy place for boys who don't care what people think."

Proof positive of Elizabeth's words.


Read our 60th Anniversary commentary to see what new observations we made: https://dsb4idie.blogspot.com/2026/08/shadows-on-wall-episode-36.html

Friday, November 17, 2017

Dark Shadows Episode 365 - 11/17/67

Amazon Prime members can stream today's episode free!

Elizabeth is in the drawing room when Roger returns home complaining about the weather. She says they need to talk about David. He saw Sarah again. She says that he told them that Sarah warned him that the dead were trying to harm someone in the house. She adds that Julia says that David is right, and there is a danger.


Roger brings Julia into the drawing room. She says that David is telling the truth about Sarah. She says she didn't believe in ghosts before coming to Collinwood. Julia flips through a book while Roger barks at her. He says she's looking up the picture of Sarah, which she shows them in the book. Carolyn walks in. Liz mentions that Carolyn had mentioned seeing Sarah. Julia says there's a way to prove it—by having a seance. Liz says they must have a seance that night.


Barnabas laments the absence of Sarah. He feels that he is not responsible for what happened to him. There's a knock at the door, and he lets Carolyn in. He says he doesn't want visitors, and she tells him he has to know what's happening at Collinwood. She says they're planning a seance to reach Sarah. Her mother and Julia are dead set on having it.


Liz is surprised that Barnabas is against a seance. He says he's worried about his ancestors' privacy being disturbed. He asks her what she feels a seance would accomplish. She says Dr. Foster is joining them. Barnabas asks what does it matter what David's friend is. For once, Liz appears upset with him. Roger enters with Julia and invites Barnabas to join them. Liz says Barnabas is against it. She and Roger leave. Barnabas asks Julia what if Sarah doesn't appear, but Dr. Woodard does. She says she's willing to take that risk, and that Woodard is just as likely to name him as his killer.


Carolyn comes downstairs and meets Barnabas in the foyer. He says Liz has already accused him of being obstructive. He says he's going to stay, and will be sitting next to her.

Julia lights candles. Liz comes in with Barnabas. Vicki brings the book with Sarah's picture and places it on the table. Roger shuts the doors and dims the lights. He says that they should all concentrate on Sarah Collins. They form an unbroken circle with their hands after Julia points out that Barnabas and Carolyn aren't touching hands.


Roger calls for Sarah. Barnabas looks at Carolyn and shakes his head. Roger says they want her help with her friend David. They hear London Bridge, and Vicki appears to be possessed. Roger implores Sarah to speak. Carolyn goes into a trance and says, "No". Roger asks about her friend David. She says she has no friend. Vicki watches Carolyn, and shuts her eyes. She says, "She lies. David is my friend. I play with him. I am Sarah Collins."



Carolyn says Vicki is not Sarah. Vicki says she came to Carolyn, and she tells lies. Carolyn stands up, but her mother tells her to sit down and be quiet. Roger asks her why she comes to David. Vicki says Barnabas will take her to the gate, and asks if he'll still love her after he marries Josette. Roger asks her why she comes to the new house, and she says to tell him the story of how it all began. She says she won't go to sleep until she meets her new nursemaid. She screams as the candles go out. Barnabas turns on the light, and Vicki is gone, with a strange woman in her place, saying her carriage from Boston overturned. She looks around and asks who they are and where she is. Roger tells her to sit down, and that they will ask her the questions. She says her name is Phyllis Wick, arriving in Collinwood to work for Mrs. Collins. She's the new governess for Sarah.



Vicki is in the woods, outside the old house, but looking new. She shouts out, "Where am I?"




Our thoughts
                                                               
John: Who would have thought Liz would be the one calling for a seance. So much so that we see her somewhat stern with Barnabas for the first time.

Christine: What was up with the jibberish about ghosts needing umbrellas that provoked a smile from everyone?

Barnabas: Well, for all your sakes, I hope it does happen tonight.
But if it does, it...it's certainly so the ghosts must have
a great supply of raincoats and umbrellas.

John: Did Carolyn really think she'd get away with faking possession in the seance? And did no one else happen to notice every time Barnabas shook his head emphatically at her?

Christine: It was a long shot, especially when Vicki has a better track record for serving as a medium. I wonder if the family will think to question Carolyn's performance once they get past the shock of losing Vicki and having Phyllis Wick appear in her place.

John: We're on the cusp of our first trip into the past. I don't quite know what to expect, but I give them credit for an interesting transition. I was particularly surprised to see Sarah's governess show up in Vicki's seat at the seance. In any other show, I'd be looking forward to the back and forth between scenes of the woman from the past living in the future alongside Vicki's time in the past, a la Outlander.

Christine: I am looking forward to revisiting this storyline, especially with the background knowledge of the beginning episodes this time around. It would be nice if we got to meet Isaac Collins in the past, though he was certainly not alive during this time period. He continues to divide his time between the drawing room and the study at Collinwood. Does he live on through his portrait and actively move from room to room? Could he be orchestrating all the supernatural disturbances at Collinwood? Maybe we'll get some clues as we dig into the past history of the Collins family.

Isaac oversees Julia's breakdown in the drawing room in Episode 361.

Isaac listens in on plans for today's séance in the study.

Phyllis Wick is really in for a future shock when she looks up and sees that microphone.