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Gerard leaves, and Julia asks her if she lives at Collinwood. She explains that she lives in Rose Cottage with Flora. Julia asks her about her ability to see the future. She says perhaps. Julia asks if she could see 1970, and Leticia says that she can only see a day or two into the future. Julia asks her to try. Leticia does, and says she smells smoke. She describes dust, and then stops. Julia wonders if that means Collinwood was destroyed. She can't understand what happened to Barnabas.
Carolyn comes in, and mentions her mother is away with David and Hallie. She says she'll spend the weekend at the beach house. Barnabas says they can decide that later. She then asks him what happened to Collinwood, and who the men were who set fire to it. She then says that was just a dream — a nightmare. She says she's going to go upstairs to pack a bag. She goes upstairs and Stokes says she must get to Windcliff. Stokes asks about the 'other' problem, and asks where he is. Barnabas says he's upstairs.
In Josette's room, Quentin prepares to put his head in a noose. Carolyn comes in and screams for Barnabas. Quentin says he must join Daphne. Barnabas and Stokes run in and Quentin attacks Stokes, blaming him for Daphne's death. Barnabas sends Carolyn away. Quentin says the children were dead, and Daphne died in his arms. He said he could have saved them. Barnabas tries to calm him, and Quentin says he won't return to Collinwood. Barnabas tells Stokes to take Quentin to Windcliff.
Our thoughts:
John: While it was cool to pop back to 1970 (one last time?), I'm a little disappointed that they ignored some of the major questions, like: how did Barnabas escape the clutches of Gerard's zombies? Where's Gerard now, since we know come 1995 he'll still be hanging around the place? How did Elizabeth die, because as far as we know, she wasn't there the night of the destruction (and wasn't she with Roger, meaning that he too should be dead)? While it's obvious the writers could, through the 1840 sequences, alter the future to save all who died in 1970, it certainly seems more likely that they saw the writing on the wall and knew that the end was near for them to basically leave present day in what appears to be an irrecoverable mess.
Christine: Barnabas escaped because he is undead, and therefore cannot be killed by zombies. I imagine Gerard is still lurking about Collinwood with his zombie friends. I was also surprised to hear that Elizabeth died. I thought that was a very lazy and unacceptable piece of writing for such an instrumental character. I don't know if the writers knew the end was near, but they may have sensed Dan Curtis was exhausted and challenged to squeeze out new storylines. It could be that returning to the past was meant to be Barnabas and Julia's only way of altering history to prevent the destruction of Collinwood.
John: So despite all of their efforts, it looks like 1995 will play out just as it was when B&J dropped in; making their attempts to change the future a complete and utter failure. In retrospect, one has to wonder why Gerard chose to hold off on exacting his revenge on Collinwood (for reasons as yet to be determined) for 130 years... Why wait so long? Perhaps before we're through, we'll get a scene where Gerard declares that in 130 years, he'll get his revenge! And what are the chances we ever hear more about the mysterious European who could have exorcised Gerard... perhaps a descendant of Count Petofi?
Christine: After all Quentin has gone through in his lifetime, it's difficult to believe that these catastrophic events, while traumatic, would cause him to completely break from reality.
Christine: Barnabas escaped because he is undead, and therefore cannot be killed by zombies. I imagine Gerard is still lurking about Collinwood with his zombie friends. I was also surprised to hear that Elizabeth died. I thought that was a very lazy and unacceptable piece of writing for such an instrumental character. I don't know if the writers knew the end was near, but they may have sensed Dan Curtis was exhausted and challenged to squeeze out new storylines. It could be that returning to the past was meant to be Barnabas and Julia's only way of altering history to prevent the destruction of Collinwood.
John: So despite all of their efforts, it looks like 1995 will play out just as it was when B&J dropped in; making their attempts to change the future a complete and utter failure. In retrospect, one has to wonder why Gerard chose to hold off on exacting his revenge on Collinwood (for reasons as yet to be determined) for 130 years... Why wait so long? Perhaps before we're through, we'll get a scene where Gerard declares that in 130 years, he'll get his revenge! And what are the chances we ever hear more about the mysterious European who could have exorcised Gerard... perhaps a descendant of Count Petofi?
Christine: After all Quentin has gone through in his lifetime, it's difficult to believe that these catastrophic events, while traumatic, would cause him to completely break from reality.
John: Damn! Barnabas makes it clear that he isn't even going back in time to save Julia — he's going to save his new girlfriend, Roxanne! Of course, he's feeling guilty now that he sees Julia is on deck to die, but really, whether she lives or dies, as long as he can get his hands on Roxanne, he'll likely be happy in 1840!
Christine: That's not what I heard him say at all. He told Stokes he was determined to risk using the I Ching to find his way back to save Julia, as well as change history to prevent the destruction of Collinwood. Granted, he also wants to prevent Roxanne from becoming a vampire, though that may be hard to do if it turns out he is the one responsible for that happening. It was quite unexpected to hear 1840 Barnabas say goodbye to Josette and assert he must begin a new life without her, when all other Barnabas reincarnations professed undying love and obsession for her. Incidentally, it is always amazing to see that Barnabas tosses the desired 49th hexagram of change on the first try every time.
Christine: That's not what I heard him say at all. He told Stokes he was determined to risk using the I Ching to find his way back to save Julia, as well as change history to prevent the destruction of Collinwood. Granted, he also wants to prevent Roxanne from becoming a vampire, though that may be hard to do if it turns out he is the one responsible for that happening. It was quite unexpected to hear 1840 Barnabas say goodbye to Josette and assert he must begin a new life without her, when all other Barnabas reincarnations professed undying love and obsession for her. Incidentally, it is always amazing to see that Barnabas tosses the desired 49th hexagram of change on the first try every time.
49th hexagram again! What luck! |
Finally,, sombody that asks the same questions I asked when this episode originally aired in 1970. (I've watched the DVDs several times since.)
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